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<channel>
	<title>Jane Wright</title>
	<link>https://jane-wright.com</link>
	<description>Jane Wright</description>
	<pubDate>Sun, 29 Jun 2025 19:54:43 +0000</pubDate>
	<generator>https://jane-wright.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Work</title>
				
		<link>https://jane-wright.com/Work-3</link>

		<pubDate>Fri, 29 Jan 2021 10:56:09 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/Work-3</guid>

		<description>2026


	
	&#60;img width="960" height="960" width_o="960" height_o="960" data-src="https://freight.cargo.site/t/original/i/9d42347ed64f252c421d918d417ed74c7fef4235210594b2db653a645ca5722c/OnTheSoftEdge_JaneWright-JesseButterfield_Milan2026_008-copy.jpg" data-mid="248493956" border="0"  src="https://freight.cargo.site/w/960/i/9d42347ed64f252c421d918d417ed74c7fef4235210594b2db653a645ca5722c/OnTheSoftEdge_JaneWright-JesseButterfield_Milan2026_008-copy.jpg" /&#62;
	&#60;img width="899" height="899" width_o="899" height_o="899" data-src="https://freight.cargo.site/t/original/i/9d7bf13ee70ae8789ea607dd99d005bc086dd105d3bebed9136797e7e7b41492/OnTheSoftEdge_JaneWright-JesseButterfield_Milan2026_026-copy.jpg" data-mid="248493958" border="0"  src="https://freight.cargo.site/w/899/i/9d7bf13ee70ae8789ea607dd99d005bc086dd105d3bebed9136797e7e7b41492/OnTheSoftEdge_JaneWright-JesseButterfield_Milan2026_026-copy.jpg" /&#62;
	&#60;img width="896" height="896" width_o="896" height_o="896" data-src="https://freight.cargo.site/t/original/i/bfc4a95f1ccf50eeb21edcad9f79551614f85f9d0bf446430fadf0ded55f3fe8/JaneWright_LeatherRug_Alcova2-copy.jpg" data-mid="248493959" border="0"  src="https://freight.cargo.site/w/896/i/bfc4a95f1ccf50eeb21edcad9f79551614f85f9d0bf446430fadf0ded55f3fe8/JaneWright_LeatherRug_Alcova2-copy.jpg" /&#62;&#60;img width="960" height="960" width_o="960" height_o="960" data-src="https://freight.cargo.site/t/original/i/c824e9f048859550768c905e9e201128953aed3189e52bbd295e034b592c16ef/OnTheSoftEdge_JaneWright-JesseButterfield_Milan2026_015.jpg" data-mid="248493961" border="0"  src="https://freight.cargo.site/w/960/i/c824e9f048859550768c905e9e201128953aed3189e52bbd295e034b592c16ef/OnTheSoftEdge_JaneWright-JesseButterfield_Milan2026_015.jpg" /&#62;
	&#60;img width="960" height="960" width_o="960" height_o="960" data-src="https://freight.cargo.site/t/original/i/038e87438a692d63c0d883080b0af0bad24375bb5a9911ee6732e93cd2c03a41/OnTheSoftEdge_JaneWright-JesseButterfield_Milan2026_013-copy.jpg" data-mid="248493968" border="0"  src="https://freight.cargo.site/w/960/i/038e87438a692d63c0d883080b0af0bad24375bb5a9911ee6732e93cd2c03a41/OnTheSoftEdge_JaneWright-JesseButterfield_Milan2026_013-copy.jpg" /&#62;
	&#60;img width="1374" height="1374" width_o="1374" height_o="1374" data-src="https://freight.cargo.site/t/original/i/544f2b2c965f024bedc48456d219700d209cfa58a84d17fcad0ce388dfc84f2e/Jesse_Jane_027-copy.jpg" data-mid="248493962" border="0"  src="https://freight.cargo.site/w/1000/i/544f2b2c965f024bedc48456d219700d209cfa58a84d17fcad0ce388dfc84f2e/Jesse_Jane_027-copy.jpg" /&#62;2025


	
	&#60;img width="2006" height="2006" width_o="2006" height_o="2006" data-src="https://freight.cargo.site/t/original/i/61f2aecdcd9d8eb7382966c4195590ae04c77b0574712e5abd0226462454cf1a/RaschelFantasyFlavioKarerSchlossHollenegg.jpg" data-mid="235198442" border="0"  src="https://freight.cargo.site/w/1000/i/61f2aecdcd9d8eb7382966c4195590ae04c77b0574712e5abd0226462454cf1a/RaschelFantasyFlavioKarerSchlossHollenegg.jpg" /&#62;
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	2023


	&#60;img width="1728" height="1728" width_o="1728" height_o="1728" data-src="https://freight.cargo.site/t/original/i/2423e26add429119d14c5e75fddf54d5423d50ac29f51587cac6e1e965ff62a6/CarrePetiteLampe.jpg" data-mid="195570594" border="0"  src="https://freight.cargo.site/w/1000/i/2423e26add429119d14c5e75fddf54d5423d50ac29f51587cac6e1e965ff62a6/CarrePetiteLampe.jpg" /&#62;
	
	
2022


	
	&#60;img width="3456" height="3456" width_o="3456" height_o="3456" data-src="https://freight.cargo.site/t/original/i/6dc3ac8458019543bc102fa86020f0ed6c898998675a9daa99cefed4027d7089/StoolCropSquare.jpg" data-mid="154757101" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6dc3ac8458019543bc102fa86020f0ed6c898998675a9daa99cefed4027d7089/StoolCropSquare.jpg" /&#62;
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2021




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	2020

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	&#60;img width="2765" height="2765" width_o="2765" height_o="2765" data-src="https://freight.cargo.site/t/original/i/e1aeea1889e23253dcc6ccc1800ff9ff60646495ef8c5dae772f7e91d2d0cbd9/deux-matlasses-studs.jpg" data-mid="97359513" border="0"  src="https://freight.cargo.site/w/1000/i/e1aeea1889e23253dcc6ccc1800ff9ff60646495ef8c5dae772f7e91d2d0cbd9/deux-matlasses-studs.jpg" /&#62;
	&#60;img width="2126" height="2126" width_o="2126" height_o="2126" data-src="https://freight.cargo.site/t/original/i/c973a830d272f9fb0414e1ccd80b7b4152632fc39214c0614f05e2b6f178cb14/satisfyingmill.jpg" data-mid="195571903" border="0"  src="https://freight.cargo.site/w/1000/i/c973a830d272f9fb0414e1ccd80b7b4152632fc39214c0614f05e2b6f178cb14/satisfyingmill.jpg" /&#62;
	


	2019

	&#60;img width="2848" height="2848" width_o="2848" height_o="2848" data-src="https://freight.cargo.site/t/original/i/2db6ade34ce1cc9f533e568f323b53025d38a94eae63d1c79f5b8a0952393cf3/rideaugoutte.jpg" data-mid="97364102" border="0"  src="https://freight.cargo.site/w/1000/i/2db6ade34ce1cc9f533e568f323b53025d38a94eae63d1c79f5b8a0952393cf3/rideaugoutte.jpg" /&#62;
	&#60;img width="3264" height="3264" width_o="3264" height_o="3264" data-src="https://freight.cargo.site/t/original/i/8b32b2f9ea58db67c701ceceb697967c39c0feecfb32c27c65549c02504fe767/A4-paysage-couleur-maille-bleu.jpg" data-mid="97365535" border="0"  src="https://freight.cargo.site/w/1000/i/8b32b2f9ea58db67c701ceceb697967c39c0feecfb32c27c65549c02504fe767/A4-paysage-couleur-maille-bleu.jpg" /&#62;
	
</description>
		
	</item>
		
		
	<item>
		<title>Cutting-Edge</title>
				
		<link>https://jane-wright.com/Cutting-Edge</link>

		<pubDate>Thu, 28 Jan 2021 12:03:46 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/Cutting-Edge</guid>

		<description>
	Cutting-EdgeHenri Bergson addresses in his essays that it is the nature of mankind to create tools shaped by its human form and action to evolve in adaptation to its context.

If artifacts are a reflection of a human form, whether it is made out of organic material or not, it may be considered as a living element that by nature follows the rhythm of a cycle. Designers can assist this through the integration of a design practice that considers materials, currently perceived as waste, to be an opportunity that will sustain communities and industries into the current context.

Cutting-Edge investigates the potential for developing products and building bridges between entities that will benefit from the reuse of waste selvedges produced by the UK’s weaving mills. 

The textile industry inherently produces tons of blended waste material, however, only a small percentage is adapted to be mechanically down-cycled into fiber. 

The objective of this project is to encourage alternative initiatives to the destruction of waste selvedges generated by shuttle-less looms and avoid direct incineration of valuable materials (merino wool, cashmere, silk).

To facilitate the re-use and re-manufacturing processes of this waste, this research operates from its sorting phase to its potential transformation into a viable product. I am exploring design protocols that allow for irregularities of this material to be processed on an industrial level and to play an essential role in the perception of standardised design outcomes. 
Network around the project
	

&#60;img width="3160" height="3160" width_o="3160" height_o="3160" data-src="https://freight.cargo.site/t/original/i/708abf4cbc680e046816543017ccbb4bcfb4909df68faf9f9d6f6e1ad3e0e3d0/RondBackgroud.jpg" data-mid="96802034" border="0" data-marker-id="2" src="https://freight.cargo.site/w/1000/i/708abf4cbc680e046816543017ccbb4bcfb4909df68faf9f9d6f6e1ad3e0e3d0/RondBackgroud.jpg" /&#62;

	



	&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7aca0ab65d12bceb2c519263d68eec2da9112fff14b6053490f86ffee29184d5/diagramGIFINAL.gif" data-mid="96808028" border="0"  src="https://freight.cargo.site/w/1000/i/7aca0ab65d12bceb2c519263d68eec2da9112fff14b6053490f86ffee29184d5/diagramGIFINAL.gif" /&#62;
	&#60;img width="1794" height="1794" width_o="1794" height_o="1794" data-src="https://freight.cargo.site/t/original/i/4c732b4508cb779cb36ea0a3f9b74625e0898d5f334674d84f55b386b70ff5a9/Rond2-GIFFINAL.gif" data-mid="96808128" border="0"  src="https://freight.cargo.site/w/1000/i/4c732b4508cb779cb36ea0a3f9b74625e0898d5f334674d84f55b386b70ff5a9/Rond2-GIFFINAL.gif" /&#62;

-
Acknowledging the value of waste material may potentially push conventional entities to build connexion with a disruptive system may it be through production or consumption. This way I got involved both in a typical design practice, which means trying to adapt the manufacture equipment to an efficient and valuable collection of the waste to be later on creatively remanufactured into a new product.



	&#60;img width="2196" height="2196" width_o="2196" height_o="2196" data-src="https://freight.cargo.site/t/original/i/bf6768194a5fd80e46006a469b9be9009be1f804c77990dc0eb08171906efb18/detail-machine.jpg" data-mid="129539759" border="0"  src="https://freight.cargo.site/w/1000/i/bf6768194a5fd80e46006a469b9be9009be1f804c77990dc0eb08171906efb18/detail-machine.jpg" /&#62;
	&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/2dd9c1aa7a9442c25913bd06787b84a443d59548f33417938f50c759d2bb40a3/zoommechanism.jpg" data-mid="96816264" border="0"  src="https://freight.cargo.site/w/1000/i/2dd9c1aa7a9442c25913bd06787b84a443d59548f33417938f50c759d2bb40a3/zoommechanism.jpg" /&#62;&#60;img width="3469" height="2246" width_o="3469" height_o="2246" data-src="https://freight.cargo.site/t/original/i/0b8d4a89e66a41062f1a9c2cc92830635c8a2e307ef8445ba4e28228c36ba388/bandeweb2.jpg" data-mid="96823390" border="0"  src="https://freight.cargo.site/w/1000/i/0b8d4a89e66a41062f1a9c2cc92830635c8a2e307ef8445ba4e28228c36ba388/bandeweb2.jpg" /&#62;



	PRIMARY RESEARCH&#38;nbsp;

using selvedges to create textile surfaces

	


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	&#60;img width="3704" height="3704" width_o="3704" height_o="3704" data-src="https://freight.cargo.site/t/original/i/baaa0cb2f8fd8b11f9a0a91db392c0f61f3b1923e89f7430a67ad7ef5f078283/studiotableweb.jpg" data-mid="98216430" border="0"  src="https://freight.cargo.site/w/1000/i/baaa0cb2f8fd8b11f9a0a91db392c0f61f3b1923e89f7430a67ad7ef5f078283/studiotableweb.jpg" /&#62;&#60;img width="5120" height="3413" width_o="5120" height_o="3413" data-src="https://freight.cargo.site/t/original/i/49b7ddbba3e82569844c72dc406e78d45f0aa92a76b1804bc60f3cc91093fb32/Tabouretbozar.jpg" data-mid="98217869" border="0"  src="https://freight.cargo.site/w/1000/i/49b7ddbba3e82569844c72dc406e78d45f0aa92a76b1804bc60f3cc91093fb32/Tabouretbozar.jpg" /&#62;
This research was exhibited at BOZAR Museum in Brussels during the exhibition Gallery of Futures together with the work of GILBARD members.&#38;nbsp;
The 3D scan of the exhibition is now available with this link :
https://my.matterport.com/show/?m=N5S68ZHPUpU


</description>
		
	</item>
		
		
	<item>
		<title>Raschel's Fantasy - Schloss Hollenegg</title>
				
		<link>https://jane-wright.com/Raschel-s-Fantasy-Schloss-Hollenegg</link>

		<pubDate>Sun, 29 Jun 2025 19:42:59 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/Raschel-s-Fantasy-Schloss-Hollenegg</guid>

		<description>
	Raschel’s Fantasy













	
		
		
	
	
		
			
				
					
						
Through lace curtains, Raschel’s Fantasy captures an uncanny skyline in the context of hyper-globalized
megacities. By drawing on their cottage-like aesthetic, the work exposes the anachrony of these
mass-produced objects, revealing them as both cultural remnants and metaphors for Today’s ultimate
aspiration.

						
Installed in the context of Schloss Hollenegg, the piece invites viewers to reflect on themes of heritage,
nostalgia, and the tension between utility and ornamentation. It transforms the act of looking—both
inward and outward—into a dialogue between tradition and modernity, the local and the global.Historically, lace curtains, technically known as Raschel curtains, embody the evolution of regional
heritage and its transformation through global industrialization. Traded since the 17th century, lace
symbolized the dominance of European production centers, asserting cultural and economic power on
the world stage.

						As industrialization advanced, lace became one of the first post-industrial textiles to be protected
through labeling practices, reinforcing the leadership of England, Belgium, and France. By the 1960s,
however, its production shifted beyond Europe, predominantly to China, unifying its once-regional
identity under the forces of globalization. What was once a marker of power and sophistication became
a mass-produced, nostalgic token of a bygone era.


						
Through its recontextualization, Raschel’s Fantasy prompts a rethinking of these seemingly mundane
objects, revealing them as windows into complex histories and contemporary narratives.

					
				
			
		
	





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	&#60;img width="1204" height="1806" width_o="1204" height_o="1806" data-src="https://freight.cargo.site/t/original/i/f8f1bb9d6d9d2ff2546e53db2225a5d263442a598caab2710c8de12c3f361428/4G5A9580.jpg" data-mid="235198590" border="0"  src="https://freight.cargo.site/w/1000/i/f8f1bb9d6d9d2ff2546e53db2225a5d263442a598caab2710c8de12c3f361428/4G5A9580.jpg" /&#62;





	&#60;img width="1204" height="1806" width_o="1204" height_o="1806" data-src="https://freight.cargo.site/t/original/i/3787267667096937e04fdca862f6987ada23460793a414ba9d81a4f8a1b3a3b9/4G5A0173-1.jpg" data-mid="235198588" border="0"  src="https://freight.cargo.site/w/1000/i/3787267667096937e04fdca862f6987ada23460793a414ba9d81a4f8a1b3a3b9/4G5A0173-1.jpg" /&#62;
	&#60;img width="1204" height="1806" width_o="1204" height_o="1806" data-src="https://freight.cargo.site/t/original/i/08d921e3668f2afa67133ddb45f62ca9c2d6b3058659291b1994a8c5ffb8d405/4G5A0015.jpg" data-mid="235198586" border="0"  src="https://freight.cargo.site/w/1000/i/08d921e3668f2afa67133ddb45f62ca9c2d6b3058659291b1994a8c5ffb8d405/4G5A0015.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Raschel's Windows</title>
				
		<link>https://jane-wright.com/Raschel-s-Windows</link>

		<pubDate>Sun, 29 Jun 2025 19:54:43 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/Raschel-s-Windows</guid>

		<description>
	Raschel’s windows


	
		
		
	
	
		
			
				
					
						











Set of two shelves with backlit lace insets.


Recently, I’ve been exploring the relationship between lace and light through hybrid objects. Since mechanical lace is often used for curtains, I use it here as a kind of screen. Like a theatre of objects, these shelf-lamps become small windows or “silver screens.”


I enjoy playing with the contrast between the raw, industrial quality of steel and the delicacy of the lace’s intricate patterns.





					
				
			
		
	





	&#60;img width="1140" height="1711" width_o="1140" height_o="1711" data-src="https://freight.cargo.site/t/original/i/0cf968dd85a0310c4176d6c72ebd583c438196f9f4457e6f8c5d41aa8aac4702/retouche.jpg" data-mid="235198650" border="0"  src="https://freight.cargo.site/w/1000/i/0cf968dd85a0310c4176d6c72ebd583c438196f9f4457e6f8c5d41aa8aac4702/retouche.jpg" /&#62;

	



	&#60;img width="1517" height="1897" width_o="1517" height_o="1897" data-src="https://freight.cargo.site/t/original/i/9dfdae282ad35e46705c9167dda1aacc6815b25851182cb511d800c2601773dc/8FB7C390-A68F-4E3E-B9C7-ED42A328456F.JPG" data-mid="237624093" border="0"  src="https://freight.cargo.site/w/1000/i/9dfdae282ad35e46705c9167dda1aacc6815b25851182cb511d800c2601773dc/8FB7C390-A68F-4E3E-B9C7-ED42A328456F.JPG" /&#62;
	&#60;img width="1728" height="2592" width_o="1728" height_o="2592" data-src="https://freight.cargo.site/t/original/i/b92c60e86de68da035e60507a2f299b28230d487c45b4476030405b08862f4d5/IMG_2594sepia.jpg" data-mid="235198681" border="0"  src="https://freight.cargo.site/w/1000/i/b92c60e86de68da035e60507a2f299b28230d487c45b4476030405b08862f4d5/IMG_2594sepia.jpg" /&#62;&#60;img width="2592" height="1728" width_o="2592" height_o="1728" data-src="https://freight.cargo.site/t/original/i/d27dea1e313e6dd9cea12dae43b7c17239787b95e703910adeb2665544ec3840/IMG_2596sepia.jpg" data-mid="235198651" border="0"  src="https://freight.cargo.site/w/1000/i/d27dea1e313e6dd9cea12dae43b7c17239787b95e703910adeb2665544ec3840/IMG_2596sepia.jpg" /&#62;



	&#38;nbsp;
	&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>FRIGOBOX</title>
				
		<link>https://jane-wright.com/FRIGOBOX</link>

		<pubDate>Sun, 20 Nov 2022 14:44:58 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/FRIGOBOX</guid>

		<description>
	FRIGOBOX
Exhibition of object made by members of GILBARDcollective

&#38;lt;FRIGOBOX&#38;gt;
Belgicism designating a container with isothermal properties.
 It is used for the preservation and transport of supplies to a remote location.

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ca82c4dc9b87a0d7868d7d35dfcc3f98ac030f7dc1a129dbc5464e6dc256aee5/IMG_3579.JPG" data-mid="195557732" border="0"  src="https://freight.cargo.site/w/1000/i/ca82c4dc9b87a0d7868d7d35dfcc3f98ac030f7dc1a129dbc5464e6dc256aee5/IMG_3579.JPG" /&#62;
Graphics by Sylvain Brillault.


	
&#60;img width="2592" height="3378" width_o="2592" height_o="3378" data-src="https://freight.cargo.site/t/original/i/e38d28b9deda1ff0c770aa35cbfb7b40b6e3a295addb8c161f77288bad9f2a7e/mure-gauche.jpg" data-mid="195559445" border="0"  src="https://freight.cargo.site/w/1000/i/e38d28b9deda1ff0c770aa35cbfb7b40b6e3a295addb8c161f77288bad9f2a7e/mure-gauche.jpg" /&#62;
From left to right. Frames by Sara Hillouz+Marius Escande, tuffted faces by Jane Wright, bench by Aliocha Tazi+Nicolas Robert, lamp by Timoté Rouffignac.

	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/643c780a8cff314c9a49a82bcb4e25371d7e00630552e36953269f85f8568198/IMG_9890.JPG" data-mid="195559815" border="0"  src="https://freight.cargo.site/w/1000/i/643c780a8cff314c9a49a82bcb4e25371d7e00630552e36953269f85f8568198/IMG_9890.JPG" /&#62;
118 rue Blaes, Brussels.




	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fbd21ee65095b06116e8b45e25df572a7258240389c5133cacedbe244d63ef3d/IMG_3746-2.JPG" data-mid="195557850" border="0"  src="https://freight.cargo.site/w/1000/i/fbd21ee65095b06116e8b45e25df572a7258240389c5133cacedbe244d63ef3d/IMG_3746-2.JPG" /&#62;Bench by Jane Wright.
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ef0df1e5585f7e164a35abfe1ed3584d00e0e4e48c255e2237bf921bbea30768/IMG_3786.JPG" data-mid="195561375" border="0"  src="https://freight.cargo.site/w/1000/i/ef0df1e5585f7e164a35abfe1ed3584d00e0e4e48c255e2237bf921bbea30768/IMG_3786.JPG" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/50143f6ffd90f6de38f282718d13ee3133bda54b4e1a0db2512b1bbe6c1bd561/IMG_9854.jpg" data-mid="195561862" border="0"  src="https://freight.cargo.site/w/1000/i/50143f6ffd90f6de38f282718d13ee3133bda54b4e1a0db2512b1bbe6c1bd561/IMG_9854.jpg" /&#62;
Stool by Jane Wright.

	&#60;img width="1728" height="2304" width_o="1728" height_o="2304" data-src="https://freight.cargo.site/t/original/i/236794a3346a1dafa5fb0d04bb6d8b54fd6003983535a09e7cd3369a71631cb0/IMG_9929_2.jpg" data-mid="195558885" border="0"  src="https://freight.cargo.site/w/1000/i/236794a3346a1dafa5fb0d04bb6d8b54fd6003983535a09e7cd3369a71631cb0/IMG_9929_2.jpg" /&#62;


Frame by Nicolas Robert. Table by Arthur Halbique+Jane Wright.
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f1d29cc3b634f13207ca84f673f26003aeff124def9de4ef40162556ceda58f5/IMG_3783-2.JPG" data-mid="195561570" border="0"  src="https://freight.cargo.site/w/1000/i/f1d29cc3b634f13207ca84f673f26003aeff124def9de4ef40162556ceda58f5/IMG_3783-2.JPG" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/1eea5314644b557e5aa4aaf6027a80c775d33106191b335df9893783c686d1c6/IMG_9917.jpg" data-mid="195561848" border="0"  src="https://freight.cargo.site/w/1000/i/1eea5314644b557e5aa4aaf6027a80c775d33106191b335df9893783c686d1c6/IMG_9917.jpg" /&#62;
Coffe table by Jane Wright.


</description>
		
	</item>
		
		
	<item>
		<title>EMME for Emmental</title>
				
		<link>https://jane-wright.com/EMME-for-Emmental</link>

		<pubDate>Wed, 01 Nov 2023 17:04:51 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/EMME-for-Emmental</guid>

		<description>
	EMME
Series of aluminium lamps
Standing or on the wall this series of lamps is made of 10x10 aluminum beams combined with recovered padauk wood.&#38;nbsp;
with the help of Wassime Hanafi for the making.


&#60;img width="1728" height="2592" width_o="1728" height_o="2592" data-src="https://freight.cargo.site/t/original/i/542d23000721ec9b440b9d6a4a13d284d358f920accf88ff87bbd18136a2b0e3/GrandeLampe_zoomHaut.jpg" data-mid="195566294" border="0"  src="https://freight.cargo.site/w/1000/i/542d23000721ec9b440b9d6a4a13d284d358f920accf88ff87bbd18136a2b0e3/GrandeLampe_zoomHaut.jpg" /&#62;
Wall lamp detail.

	
&#60;img width="1728" height="2592" width_o="1728" height_o="2592" data-src="https://freight.cargo.site/t/original/i/1009134a33e182b3f3e016ebae980b0007fdbce9385e1b389dde1251b6267b29/PetiteLampe.jpg" data-mid="195565624" border="0"  src="https://freight.cargo.site/w/1000/i/1009134a33e182b3f3e016ebae980b0007fdbce9385e1b389dde1251b6267b29/PetiteLampe.jpg" /&#62;
H275mm L100mm W100mm.



	




	&#60;img width="1334" height="2001" width_o="1334" height_o="2001" data-src="https://freight.cargo.site/t/original/i/8d183ddfe0290d62c2c2e56529d3deb69d2f061a2147308c47f8696f258064be/GrandeLampe2.jpg" data-mid="195569103" border="0"  src="https://freight.cargo.site/w/1000/i/8d183ddfe0290d62c2c2e56529d3deb69d2f061a2147308c47f8696f258064be/GrandeLampe2.jpg" /&#62;H920mm L100mm W100mm.


	


&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/db60ee8524e8c4f296a209e5420d8b4b5a4797f73d4c3b86f2686367c3705725/PetiteLampeWTCzoom1.jpg" data-mid="195569345" border="0"  src="https://freight.cargo.site/w/1000/i/db60ee8524e8c4f296a209e5420d8b4b5a4797f73d4c3b86f2686367c3705725/PetiteLampeWTCzoom1.jpg" /&#62;




</description>
		
	</item>
		
		
	<item>
		<title>Raschel's fantasy</title>
				
		<link>https://jane-wright.com/Raschel-s-fantasy</link>

		<pubDate>Thu, 28 Jan 2021 12:03:46 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/Raschel-s-fantasy</guid>

		<description>Raschel’s fantasy











Raschel’s fantasy is in line of the last project called Future Ghosts. It continues to explore the ability of textile surfaces to capture the influence of the architectural landscape on the creation of a normalized imagery of the housing form. I found in this overlooked filtering curtain an expression of a nostalgic flight back to an idealized past, used to cope with the eclectic feeling of the city. Introducing the concept of the globalization of the local context, this personal version of this textile object acknowledges both sides of the window as one communicative space, defined by the projection of socio/cultural background. Playing with the juxtaposition of multiple archetypes of past to future architectural models, it reflects the ambiguous feeling of attraction. It creates a contemporary imagery of the cityscape fantasy, where the single-family cottage house shares the space with multipurpose tower blocks and modernist houses. Here, it catalyzes the situation of the European capital, Brussels, but this can be applied and understood globally.








&#60;img width="3840" height="2964" width_o="3840" height_o="2964" data-src="https://freight.cargo.site/t/original/i/c2fe7d9b21f085db54ac3fdc2937236a1ab3e8885f97544d85953c6a0012a92b/Raschelcurtain.jpg" data-mid="96944219" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c2fe7d9b21f085db54ac3fdc2937236a1ab3e8885f97544d85953c6a0012a92b/Raschelcurtain.jpg" /&#62;

	&#60;img width="5906" height="3307" width_o="5906" height_o="3307" data-src="https://freight.cargo.site/t/original/i/eb4f36a4bc3154dcc949ec73468d3f1e6dd595a6410f42369b24bd5a0cff4820/Submission-final4.jpg" data-mid="96944835" border="0"  src="https://freight.cargo.site/w/1000/i/eb4f36a4bc3154dcc949ec73468d3f1e6dd595a6410f42369b24bd5a0cff4820/Submission-final4.jpg" /&#62;
Details of the curtain regrouping symbolic buildings from the city of Brussels.&#38;nbsp;


Visual research&#38;nbsp;

Representation inside the space. 3D annimation made by Orson Rouffignac. 




	
&#60;img width="5906" height="3307" width_o="5906" height_o="3307" data-src="https://freight.cargo.site/t/original/i/0ac26ff2add4ec1c37d1ce5efcbebecf9a2a9513f17ce84cfd02d00bdab1cd9e/mindmapconcept14.jpg" data-mid="97353360" border="0"  src="https://freight.cargo.site/w/1000/i/0ac26ff2add4ec1c37d1ce5efcbebecf9a2a9513f17ce84cfd02d00bdab1cd9e/mindmapconcept14.jpg" /&#62;











Here the archetype of a germanic style house with Belgian and Castillan traditional ornementation. 
&#60;img width="1024" height="726" width_o="1024" height_o="726" data-src="https://freight.cargo.site/t/original/i/4342295a2c14354ba47f4ff5d364fc7b49d973dac59b163d75ec7766c447ad21/montagemodernisterustic.jpg" data-mid="97353893" border="0"  src="https://freight.cargo.site/w/1000/i/4342295a2c14354ba47f4ff5d364fc7b49d973dac59b163d75ec7766c447ad21/montagemodernisterustic.jpg" /&#62;«All of it came to its end. We have change ourselves, as much as our houses and our streets.»


Pierre Tempels, Bruxelles, choses à faire, 1920&#60;img width="1144" height="720" width_o="1144" height_o="720" data-src="https://freight.cargo.site/t/original/i/493c23a65aa4dc1d47189b52b9d8ed1f505e73873dcd0328ac57911500e5e688/dentelleetbridgehouse.jpg" data-mid="97477609" border="0"  src="https://freight.cargo.site/w/1000/i/493c23a65aa4dc1d47189b52b9d8ed1f505e73873dcd0328ac57911500e5e688/dentelleetbridgehouse.jpg" /&#62;


	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/516cbf8d4f60bd005bf5eedec9a78daf332a45b21a936afbcf38ceadd3ba29db/IMG_9400.JPG" data-mid="97354419" border="0"  src="https://freight.cargo.site/w/1000/i/516cbf8d4f60bd005bf5eedec9a78daf332a45b21a936afbcf38ceadd3ba29db/IMG_9400.JPG" /&#62;
    	



&#60;img width="1099" height="1517" width_o="1099" height_o="1517" data-src="https://freight.cargo.site/t/original/i/9be01cc89f0fcd72767daa24cca05ed44d9a214fefbcb34842f7ea914ffea15f/largerzoommartini.jpg" data-mid="97354495" border="0"  src="https://freight.cargo.site/w/1000/i/9be01cc89f0fcd72767daa24cca05ed44d9a214fefbcb34842f7ea914ffea15f/largerzoommartini.jpg" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/6a9185d29a9239bc7470a42e616ed776ed259f3f0c567b9dac561a32b43e5ac2/IMG_9064.JPG" data-mid="97477485" border="0"  src="https://freight.cargo.site/w/1000/i/6a9185d29a9239bc7470a42e616ed776ed259f3f0c567b9dac561a32b43e5ac2/IMG_9064.JPG" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Satisfying Mill</title>
				
		<link>https://jane-wright.com/Satisfying-Mill</link>

		<pubDate>Thu, 28 Jan 2021 12:03:46 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/Satisfying-Mill</guid>

		<description>Satisfying Mill

	
		
		
	
	
		
			
				
					
This unknitting machine is challenging the value that represent a piece of garment in our en-
ding resources world. The textile industry is one of the most polluting industry and even if the
recycling and valorization chain is well developed in the UK, still 4,7 kg of discarded textile,
per capita, end up in landfills every year1. Where statistics shows that the energy and re-
sources needed for its production can be lowered by 30% if they are reused.

					
However, in most of the cases, the items have lived less than a year and the fibre is still at its
highest value.

					
Aware of the crucial impact that the textile industry has on environmental and social aspects, this research investigates on how the expression of the value of used textile can be translated from
different perspectives.The first machine communicates on the environmental impact of a garment (CO2 and water
consumption), and includes individual decision to balance the global cost of the textile production. The second iteration is designed in a form of a tool kit to facilitate the un-raveling process to bring the garment back to a bobin. This is an educative tool that could be used during textile making workshops to support the reuse of discarded garment for its material value.&#38;nbsp;
&#60;img width="2784" height="1856" width_o="2784" height_o="1856" data-src="https://freight.cargo.site/t/original/i/2dc4d8a4538bf3132c941e0410bbdf44350472d0c227fcd43fa183297622bf8b/zoomwinder.jpg" data-mid="97369218" border="0"  src="https://freight.cargo.site/w/1000/i/2dc4d8a4538bf3132c941e0410bbdf44350472d0c227fcd43fa183297622bf8b/zoomwinder.jpg" /&#62;
&#60;img width="1856" height="2784" width_o="1856" height_o="2784" data-src="https://freight.cargo.site/t/original/i/d8da50a0a107c4ccaca946b72e4d802b4851965016b20ea28203bd88d63f562f/Satisfyingmillmicrobrief.jpg" data-mid="97366600" border="0"  src="https://freight.cargo.site/w/1000/i/d8da50a0a107c4ccaca946b72e4d802b4851965016b20ea28203bd88d63f562f/Satisfyingmillmicrobrief.jpg" /&#62;
	


	&#60;img width="7016" height="4961" width_o="7016" height_o="4961" data-src="https://freight.cargo.site/t/original/i/0703efe74f995b6ffdcc08067863fe8228e199b4d428ba075027dbdfc8682357/jane.wrightnetwork.rca.ac.uk_Unit1_PRES21.jpg" data-mid="97370101" border="0"  src="https://freight.cargo.site/w/1000/i/0703efe74f995b6ffdcc08067863fe8228e199b4d428ba075027dbdfc8682357/jane.wrightnetwork.rca.ac.uk_Unit1_PRES21.jpg" /&#62;
	&#60;img width="7016" height="4961" width_o="7016" height_o="4961" data-src="https://freight.cargo.site/t/original/i/4cc6de9b94eca1f1c45df24f080002237bd12944b973a1e200b400b5249b6416/jane.wrightnetwork.rca.ac.uk_Unit1_PRES22.jpg" data-mid="97370127" border="0"  src="https://freight.cargo.site/w/1000/i/4cc6de9b94eca1f1c45df24f080002237bd12944b973a1e200b400b5249b6416/jane.wrightnetwork.rca.ac.uk_Unit1_PRES22.jpg" /&#62;&#38;nbsp;

	


	&#60;img width="7016" height="4961" width_o="7016" height_o="4961" data-src="https://freight.cargo.site/t/original/i/0d99b46e01d887ba2033955c44deac14b8fe9b392516d2f7a18871dc47ada018/jane.wrightnetwork.rca.ac.uk_Unit1_PRES17.jpg" data-mid="97370338" border="0"  src="https://freight.cargo.site/w/1000/i/0d99b46e01d887ba2033955c44deac14b8fe9b392516d2f7a18871dc47ada018/jane.wrightnetwork.rca.ac.uk_Unit1_PRES17.jpg" /&#62;

	&#60;img width="3794" height="3794" width_o="3794" height_o="3794" data-src="https://freight.cargo.site/t/original/i/0fec2b50e122d5d12dfcbf5795e1b97caac6658b3ab0c43f2636cc34a0dd46d4/jane.wrightnetwork.rca.ac.uk_Unit1_PRES5.jpg" data-mid="97370425" border="0"  src="https://freight.cargo.site/w/1000/i/0fec2b50e122d5d12dfcbf5795e1b97caac6658b3ab0c43f2636cc34a0dd46d4/jane.wrightnetwork.rca.ac.uk_Unit1_PRES5.jpg" /&#62;
	&#60;img width="3934" height="3935" width_o="3934" height_o="3935" data-src="https://freight.cargo.site/t/original/i/86d04aa99e965473611dd643a4ea85c296b195e5d7a4eb94c0bf18b3e0b2d5d2/jane.wrightnetwork.rca.ac.uk_Unit1_PRES2.jpg" data-mid="97370601" border="0"  src="https://freight.cargo.site/w/1000/i/86d04aa99e965473611dd643a4ea85c296b195e5d7a4eb94c0bf18b3e0b2d5d2/jane.wrightnetwork.rca.ac.uk_Unit1_PRES2.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Future Ghosts</title>
				
		<link>https://jane-wright.com/Future-Ghosts</link>

		<pubDate>Mon, 01 Feb 2021 20:04:56 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/Future-Ghosts</guid>

		<description>Future Ghosts

	
		
		
	
	
		
			
				
					











Future Ghosts explore the ability of textile surfaces to offer a moment of contemplation for the space and its community while recontextualizing our own perception of the View. Not only in London, a set of acting façades build this new model of performative architecture. Repeated all over the world, it spreads the idea of a so-called modernity, and infiltrated our imaginary a normalized future habitat. 


A window to rethink the evolutive urban picture, aim to bring the social landscape forward. 


A mirroring fabric witness our shared relation towards the building’s surrounding. The sensible textile dialogues with the outside - like the process of a camera obscura, it screens what used to be the view.


The locality operates a mutation process on the surface. Exposed to the light, it turns the three standardized, domestic textiles into a reflection of interweaved memories. 


They remind us the mark that the architectural landscape leaves on us. Acknowledging the complex reality of the place. 


Acting as a palimpsest for the future generation.





&#60;img width="2255" height="2255" width_o="2255" height_o="2255" data-src="https://freight.cargo.site/t/original/i/18f30067af1d364e653895ac52468a46bb9eb00f42f9a1e896a261355505db30/perspective-copy2.jpg" data-mid="97371086" border="0"  src="https://freight.cargo.site/w/1000/i/18f30067af1d364e653895ac52468a46bb9eb00f42f9a1e896a261355505db30/perspective-copy2.jpg" /&#62;
	


	
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	<item>
		<title>Fruit of the loom</title>
				
		<link>https://jane-wright.com/Fruit-of-the-loom</link>

		<pubDate>Mon, 08 Feb 2021 18:22:43 +0000</pubDate>

		<dc:creator>Jane Wright</dc:creator>

		<guid isPermaLink="true">https://jane-wright.com/Fruit-of-the-loom</guid>

		<description>Fruit of 
the loom

	
		
		
	
	
		
			
				
					























This research is inspired from the work of ragmen, I collect loom straps from textile industries. Out of cotton, polyester or cashmere; colorful or plain; large, thin or fringed makes this post-industrial waste, various in color and matter. I use the volume of the fringes as its own padding and its diversity, to rhythm and create structure in the surfaces. Ironically, the industry waste turns itself into a rich and dense volume that remembers tapestry work traditionally crafted.




This has been the primary research that lead me to continue to work on repurposing waste selvedges during the next project called Cutting-Edge.




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